Barcelona, 1989. Audiovisual artist working with photographic image, object and sound —  recording and composition.




Practice moving between photographic image, sound and object, treating landscape, technology and the human condition not as separate categories but as a single system.

His career in photography took shape at Blank Paper (Valencia) and Efti (Madrid). After finishing his studies at Blank Paper in 2013, he held his first solo exhibition, Red Light, at La Llotgeta, next to Mercado Central, curated by Nilo Casares — a show that received critical attention and was accompanied by a catalogue. The exhibition was reviewed by curator Marisol Salanova on Turn On Art, Ivory Press's blog at the time. In 2014 he took part in a group exhibition curated by Matt Martin at Urban Spree Gallery, Berlin. That same year he also showed at #RESET, the group exhibition of Injuve grant winners at Sala Amadís, Madrid. In 2015 he took part in the group exhibition Wasted Youth, at Las Naves, Centro de Creación Contemporánea, Valencia, curated by Marta Moreira and Daniel Borrás — a generational self-portrait of urban subcultures. One of its pieces, BPM, was later featured on the artwork of Jupiter Lion's double vinyl Brighter (BCore Records). In 2018, he moved to Leipzig and co-curated If I Hear Music, a group show of music-related film photography at Vary.


Over the past eight years he has lived between Germany and Valencia, receiving grants, awards and exhibitions in both countries — a constant displacement that runs through his work as much as through his life. In Leipzig, in 2020, he developed Neue Räume, winning project of the Denkzeit art scholarship: a 23-minute live-recorded sound piece using analog synths, pedal fx chains and plugins, conceived as a space within a space, a soundscape built from scratch and without classical rhythmic structure — musical composition understood at once as a codified cultural manifestation and as a territory of radical improvisation. Between 2021 and 2023, also in Leipzig, he developed Auwald, an audiovisual project combining large-format forest photographs with a raw electronic object that plays field-recorded birdsong through headphones — image and sound treated as two states of the same continuous, self-sustaining structure. In 2024, New York based curator Aaron Stern selected two works from Red Light for the group exhibition Interiors, presented by Der Greif, the German editorial platform — one more node in the network of reproduction, editing and forwarding through which images move and survive today. That same year, at Las Naves,Valencia, he received an award at the III Music Hackathon, organized by sono-lab, for a piece built from contact microphones capturing voice, body and percussion processed through reverb boxes, distortion and analog feedback — a sound collage combining samples shared by all participants with his own real-time recordings. In 2025 he received first prize for best photograph at Torrent Jove 20, L'Espai, Torrent, for a photograph from Refugio, a three-image series within Auwald — recognition confirming a photographic practice that remain tactive and in constant dialogue with his other lines of work.


His latest show, Transmisión (December 2025 – January 2026), was exhibited at Las Naves, Valencia, in collaboration with Valencia City Council. The project departs from a photographic archive made by his great-grandfather Pedro during the electrification of Spain,  documenting the construction of high-voltage towers across the Valencian Community; rephotographed and displaced from its technical origin, the archive becomes a meditation on the flows, material and immaterial, that shape our perception of territory. The show brought together a series of framed photographs, personal and historical objects displayed in vitrines, and photographs held by neodymium magnets on steel plates — the image no longer simply looked at, but held in place by invisible forces, like data adhering to its support. Visitors could listen to an accompanying audio piece through wireless headphones while walking through the exhibition. In 2026, this piece was produced as Discos por Fase, hand-printed and cut onto a single-sided, transparent 180g 10-inch vinyl.